New PDF release: Beyond Globalization: Making New Worlds in Media, Art, and

By Patrice Petro, A. Aneesh, Lane Hall

ISBN-10: 0813551544

ISBN-13: 9780813551548

Does dwelling in a globally networked society suggest that we're relocating towards a unmarried, homogenous international tradition? Or, are we headed for clashes among heart and outer edge, imperial and subaltern, Western and non-Western, First and 3rd international? The interdisciplinary essays in Beyond Globalization present us with one other possibility—that new media will result in new types of “worldmaking.”

This provocative quantity brings jointly the simplest new paintings of students inside of such assorted fields as heritage, sociology, anthropology, movie, media reports, and artwork. even if analyzing the inauguration of a digital neighborhood at the site moment lifestyles or investigating the appropriation of biotechnology for transgenic artwork, this assortment highlights how mediated practices became necessary to worldwide tradition; how social practices have emerged out of computer-related industries; how modern apocalyptic narratives mirror the anxieties of a U.S. tradition dealing with worldwide demanding situations; and the way layout, play, and expertise support us comprehend the histories and beliefs at the back of the electronic architectures that mediate our daily activities.

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Extra resources for Beyond Globalization: Making New Worlds in Media, Art, and Social Practices (New Directions in International Studies)

Example text

And even when jobs remain, frequent job-hopping has been a constant in the technology sector for more than twenty years. 29 Moreover, as they have become more common, neither the practices nor the ideology of peer production have lessened the actual power of managers to hire and fire, nor that of customers to make demands for particular products. For all the rhetoric of equality, empowerment, and voluntarism that surrounds commonsbased production and new media labor more generally, technical workers remain workers.

They set up geodesic domes and tent cities, pirate radio stations, elaborate computer networks, and huge, if temporary, dance clubs. They hold lectures, throw parties, and traverse the desert in what passes for public transportation: some 500 art cars rigged to look like everything from furry mushrooms to fire-breathing dragons. And on the next to the last night of the week, they burn a forty-foot-tall effigy of a man. The question is: Why? What does Burning Man offer to workers in computer-related industries that justifies their often extraordinary efforts to participate in it?

They hold lectures, throw parties, and traverse the desert in what passes for public transportation: some 500 art cars rigged to look like everything from furry mushrooms to fire-breathing dragons. And on the next to the last night of the week, they burn a forty-foot-tall effigy of a man. The question is: Why? What does Burning Man offer to workers in computer-related industries that justifies their often extraordinary efforts to participate in it? Over the years, Burning Man has often been depicted in the popular media as a desert bacchanal, rife with public nudity and drug use.

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Beyond Globalization: Making New Worlds in Media, Art, and Social Practices (New Directions in International Studies) by Patrice Petro, A. Aneesh, Lane Hall


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