Get A Common Strangeness: Contemporary Poetry, Cross-Cultural PDF

By Jacob Edmond

ISBN-10: 0823242625

ISBN-13: 9780823242627

Why is our global nonetheless understood via binary oppositions-East and West, neighborhood and international, universal and strange-that should have crumbled with the Berlin Wall? What could literary responses to the occasions that ushered in our period of globalization let us know concerning the rhetorical and historic underpinnings of those dichotomies? In a typical Strangeness, Jacob Edmond exemplifies a brand new, multilingual and multilateral method of literary and cultural reviews. He starts off with the doorway of China into multinational capitalism and the looks of the Parisian flaneur within the writings of a chinese language poet exiled in Auckland, New Zealand. relocating between poetic examples in Russian, chinese language, and English, he then strains a sequence of encounters formed by way of monetary and geopolitical occasions from the Cultural Revolution, perestroika, and the June four bloodbath to the cave in of the Soviet Union, September eleven, and the invasion of Iraq. In those encounters, Edmond tracks a shared situation with strangeness in which poets contested previous binary oppositions as they reemerged in new, post-Cold battle varieties.

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Additional info for A Common Strangeness: Contemporary Poetry, Cross-Cultural Encounter, Comparative Literature (Verbal Arts: Studies in Poetics)

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Taken together, they highlight and unsettle the poetics of strangeness through which we conceive our new global reality. They also offer ways to imagine where a mode of writing and reading literature and history that gives up these certainties might lead. ch apter one Yang Lian and the Flâneur in Exile Knowledge production would henceforth be a matter of tracking the broken lines, shapes, and patterns that may have become occluded, gone underground, or taken flight. —r e y c h o w, “The Old/New Question of Comparison in Literary Studies: A Post-European Perspective” All an exile can do is follow a dotted line of footprints, stopping motionless on every dot.

51 Because the poem’s “reply to the sun” (nuo ri lang 诺日郎) inheres in the literal meaning of the Chinese transliteration of the Tibetan name of the waterfall, Norlang, the cross-cultural encounter between a Tibetan word and its Chinese rendition suggests the flickering double movement that the poem performs. Signaled in the title “Norlang” and the subtitle “Suntide,” the interplay between sun and water embodies the poem’s opposing forces. 52 Like these titles, the poem’s address to the sun and Tibetan tradition is open to multiple interpretations.

Lying, easily overlooked, beneath Symonds Street and Grafton Bridge, Auckland’s first major non-Māori graveyard is a particularly apt example of the city’s forgotten depths (fig. 1). Resistant to—but marked by—the rationalizing forces of progress, the graveyard’s overexposed layers of history negate the “light” of its visual appearance: the graveyard contains the city’s buried past (bodies) and present (the homeless people and drunks who frequent it), and some of the graves have been exhumed and moved more than once to make way first for the bridge and later for the motorway that now passes beneath the bridge and alongside what remains of the cemetery.

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A Common Strangeness: Contemporary Poetry, Cross-Cultural Encounter, Comparative Literature (Verbal Arts: Studies in Poetics) by Jacob Edmond


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